The Cat’s Meow

I’m not sure why I’m on the boat.

It seemed like a good idea at the time – the seas were relatively calm and the wind seemed favorable. I came aboard to swab the decks and I worked hard; I finally made my way up to deck hand. Of course there were times we all thought the captain was a little off-balance, but the ship was still afloat so no one said too much.   It was a bit strange to be on a steamship in the age of technology, but you don’t fix what’s not broken, and after all we were chugging along and keeping up. We often saw wreckage from the high tech-ships that weren’t as sea-worthy as everyone thought. It wasn’t pretty. Occasionally we could pick up a stray crew member here or there, but let’s face it, you can only carry so many people on board.

The real danger was running out of steam. Or, more precisely, coal. In case that ever happened someone had to know how to sail. We had a plan – you know, like a backup plan – to ensure that if we ever ran out of coal, we’d still be able to navigate and move in the water by using the sails we had stored below decks. At least until we got more coal. There was a team of people assigned to the care and maintenance of the sails, to make sure they were always in top working order. It didn’t matter that we’d never actually tested the sails – we were confident they’d work, and the fact we had a backup plan was really the point anyway.

So it seemed like a good thing when I was able to move into a position on the wind team. We would learn about the elements, check what was going on around us, and make sure that plans were in place in case we ever needed to unfurl our sails. It was theoretical work for the most part, but that’s always been a plus for me. I mean how can your theory ever be wrong if you never have to put it to the test? You can be completely unskilled and have no idea what you’re talking about, but still be considered a genius. I just had to pray that we’d never run out of coal.

I was feeling pretty good about my new job when I was invited to a meeting. The Captain’s Third-in-Command, right-hand-man’s best girl Barb wanted to meet with me one-on-one. This was a big deal, and I needed to be on my game. In the meeting invite I was informed that it had been decided I was the perfect person to implement our new Cat’s Meow Strategy for wind detection.

My guess was this new strategy had to do with the fact that we had no vet on board and the two cats we brought with us to control mice turned out to be a male and a female. It’s really hard to tell with a cat until one of them is pregnant. So we now had a lot of cats and I figured someone was trying to keep it from looking like an accident. Which is easy if you just make it a strategy. I mean, what else can you do? You can’t start heaving cats overboard willy-nilly. You just look like a bad guy and the press has a field day. We had to find a purpose for the cats.

Although I was still fairly new to the concepts of wind direction, I felt confident  we would fare just fine if we ran out of coal. If nothing else I could just put my finger in my mouth, hold it up, and figure out which side got cold first. That would be the wind direction. That and a basic compass were all I needed. And if the sails failed to perform that really wasn’t my problem. All the same, I was feeling just a little anxious when I got to the meeting room. Barb came in and started talking before she sat down.

“I’m glad you were able to meet today. This project is of the utmost importance and we have a very short time frame to get it done. In fact, this has to be up and running within a week.”

“Really?” I ask, “Why? At the last check we had plenty of coal, so there’s no reason to think that we’ll be needing to use our sails anytime soon.”

She smiles, and I know I’ve asked something so elementary she’s wondering how I ever achieved my current position.

“Because there’s a deadline,” she says, quietly, patiently, kindly.

“Oh,” I’m feeling a little dense, but want to make sure I understand, “why is there a deadline for next week when we know we won’t run out of coal next week?”

She looks pleased. I assume it’s because I’ve shown an ability for following a line of reasoning. “Great question. There’s a deadline for next week because that’s when I said we could get this done.”

“O.k.” I’m pretty sure she can see my confusion, but her smile is designed to give me confidence, let me know my incompetence is not a problem, and that she’s is in charge and will lead us where we need to go.

“Well, let’s just get started and I’m sure this will make more sense once we get into it.” She settles into the chair across from me, folds her hands, places her arms on the table and leans forward. Her eyes are serious.

“You know about the cats.” It’s not really a question, more of a statement, but she is obviously waiting for a response. I want to make up for my earlier failings, so I’m eager to show off what I do know.

“Yes, I know that we’ve really got more cats than we need. Of course there really isn’t an offboarding strategy this far out to sea, so if we want to maximize cost effectiveness we need to ensure we’re leveraging all of our resources in the most appropriate manner possible.” I am rewarded with a beaming smile.

“Exactly. And that’s just what this project will do. I have every confidence you’ll be able to have this up and running by the deadline.” I don’t share her confidence, but I’m not bringing up the arbitrary deadline again. I just nod so she can continue.

“We’ve decided that the best way to utilize the cats is to have them help predict future wind direction. Using the cats, you’ll check the wind direction each day at 2-hour intervals, and then record the results. You’ll need to graph the wind direction and be able to make predictions based on statistical data. You’ll want to determine if the height of the water has any impact, and you’ll need to ensure that the sails are in operable condition.”

Now my head is reeling. Although my finger and a compass seem unbelievably unsophisticated, I know they’ll work. I’m not bringing it up. Instead I try to think this through, integrate the knowledge I have of the other working areas. All I can manage is, “But, I don’t work with the sails. The people who work with the sails are all in an upper echelon of the ship’s hierarchy. They only talk to me when they’re demonstrating that we don’t really have a hierarchy.”

She frowns and I realize I shouldn’t have said that to her. Now she’ll probably wonder who I’m talking to and what they’re saying. Fortunately she doesn’t go after that tangent – probably one of the reasons she’s in her current position. She simply says, “Well, you’ll need to tell them what information they need to provide you. You need to measure sail readiness and include that in your graph.”

I’m starting to feel like I’m not a problem solver. “O.k., I guess I’m just a little confused as to how I’m going to do that. The sails are kept below in a restricted area I don’t have access to, and anyway the sail readiness team runs regular testing to ensure the sails are wind worthy. Can’t I just use the work they’ve done?”

She is starting to look a little strained. I know she’s way ahead of me here and I’m just not keeping up. I’m really trying, but I’m just not seeing the value add.

“Don’t worry about access to the sails. I’ve got a meeting scheduled with the sail master and I’m just going to tell him he’s giving you access. Just trust me on this and don’t worry about that part.” I nod, thinking it’s not going to be that simple, and still not understanding why I can’t just use their data, but I’m going with it and assuming it will all start to make sense. Eventually. And hopefully before the deadline.

“So once you have the readiness data you can herd the cats and start the meow analysis.”

“I’ll call it the ‘Meowalysis,’” I smile. She looks at me with a frown and says, “The what?”

“Nothing,” I say and remind myself to stop talking and keep nodding. She pauses a beat and then continues.

“So once you’ve herded the cats it’s a simple matter of gathering the data. I would recommend you start individually. Take a cat to the bow and wait for it to meow. Then capture the meow data on the matrix. Make sure you get a good sample, and then analyze the meow data with the other data, and prepare your findings for the meeting. I’ll need to see your first draft with enough time to make changes before I present. Is two days from now fair?”

“O.k.,” I’m not feeling confident at all. But I’m going to make this work. It doesn’t matter what they ask, I’m going to make this work. She nods, once, briskly.

“So, I’m sorry,” I say, wondering if I’m sorry for my obtuseness, my presence on the ship, or just my life choices in general, “but can you help me understand the big picture on this strategy?”

“The cat will meow and then you’ll record what direction the wind is blowing. Eventually we’ll be able to predict wind direction by the cat’s meow.” This is said perfectly reasonably, perfectly calmly. It simply makes no sense to me whatsoever and there’s no way I’m going to be able to do this. I need to signal my understanding while clarifying what I’m supposed to do with another question.

“Got it, but I’m not sure how I’m going to determine the direction the wind will blow by the cat meowing. I mean, it might meow when there’s no wind at all.”

She nods. She looks very serious and thoughtful. This is, of course, a good point. Let’s face it, there’s no one on the face of the planet that has any idea what’s going on here.

“I’ve anticipated you would need help with that, so I’ve prepared some tools to help you.” She hands me a page of handwritten notes and hand drawn pictures of kitty faces with various un-catlike expressions. “This document can used as a guide to the meaning of meowing. Of course, each cat will have its own individual vocalizations, so the guide is really a framework – a starting point if you will – for you to develop your own meowing meaning chart. You’ll also need to ensure you track any new cats that provide input, or cats that for whatever reason,” and here her voice fades a little, “are no longer providing data.”

I run my hands through my hair. I know I’m starting to come apart a little, but this is getting crazy. “But, I don’t think cats can predict which way the wind will blow.” There. That’s a better argument. Now I’m thinking this through and focusing on the result we’re trying to achieve.

“Well, we’ve noticed that the cats don’t like getting their fur ruffled up the wrong way. You’ve seen that, right?” This is said in a ‘you’re part of the team’ tone of voice. Now she’s feeling sorry for me. This doesn’t bode well. I just nod.

“So since they don’t like it, they’ll meow in displeasure and turn to face the wind, thus providing us with information on the direction the wind is blowing.”

“Well, yeah, at that moment. It doesn’t necessarily tell us anything about future direction.”

She sighs. “That is why you have to analyze the meow.” The depth of my stupidity is now starting to annoy her. I just give up. I’ll figure out a way to herd the damn cats – if one or two escape no one will know unless I say something, and why would I do that? I’ll take them on the deck, wait till they meow, and somehow put together a matrix with all the data. Maybe if I use a lot of charts, graphs and illustrations it won’t matter if the data makes any sense.

“Great!” I take the guide and give her what I hope is a confident and winning smile. “I’ll have the draft ready for your review in two days.”

She smiles and rises. “Perfect! Just let me know if you have any questions in the meantime. Now I’ve got to go meet with Johnson. Those damn goats we brought on board aren’t milk goats after all, so we’ve got to figure out what to do with them. He’s got some kind of strategy he thinks will help. He’s calling it the Great Goat Rodeo. Sounds like it’s going to be an all-hands-on-deck event.”

I just nod. A goat rodeo. Should be fun.

 

 

 

The Gallery

Image courtesy of Dan Handler.

I wrote this story shortly after college. The idea came to me, out of nowhere, fully formed one day while I was work. I have no idea what was up with that, but I sure wish it would happen again some day. Apparently, my muse actually is a magpie. Or maybe a cow pie. Perhaps that’s where all the shitty ideas come from….

The Gallery

“Why don’t you like my cat?”

“It has nothing to do with not liking your cat.”

“Is it any cat? Do you not like cats?”

“I like cats, cats are fine.”

“Yet you reject my cat.”

“Your cat is always sticking its ass in my face.”

“That’s not just my cat. All cats will stick their ass in your face. It’s instinct.”

“Well, then, let’s just say I don’t like cats.”

“I thought that was the problem.”

 

We are looking at the painting. It is a large white canvas, devoid of paint. “That’s not a painting.” He looks at me with certainty. “It has no paint on it, so how can it be a painting?” “Perhaps it’s simply classified as art.” “Art perhaps, but it’s not a painting.” “Does it matter what it’s called?” We look at each other. We look at the canvas. He looks at me. “Yes, it matters. They want to call it a painting, and it’s not a painting.” “Well, what do you want to call it then?” He considers. “I don’t know, maybe it’s best to just call it a painting.”

 

“Now you’re annoyed, I can tell.”

“I’m not annoyed, it’s just that I don’t dislike animals.”

“But you just admitted to not liking cats.”

“It’s not cats, it’s their behavior. I can dislike part of their behavior without disliking cats in general. Or maybe just not like one particular cat.”

“I didn’t think you liked my cat.”

 

The artist is standing next to us. He has listened to our conversation and is angry. “No, it’s not a painting. I’m the artist, I should know what it is.” “It is a painting.” “But you just said it wasn’t a painting.” “I changed my mind, now that I look at more closely I can see that it definitely is a painting.” “No, no, you were right, look at it, it has no paint on it, it’s not a painting.” “If you have to interpret your painting for the audience, it’s not a very good work of art, is it?” The artist walks away. He is very angry.

 

“Why are you trying to make me admit that I don’t like your cat?”

“I think it would be healthier for you to see that you don’t like the cat and admit to it, rather than try to pretend something that’s isn’t true. You may end up sublimating your dislike of my cat into something else.”

“Would it make you feel better if I said I didn’t like your cat?”

“Well, if it would make you feel better, I think it should be said.”

 

The artist is coming back with a group of people. They look hostile. They are carrying books of poetry by Gertrude Stein. They are coming our way and I want to leave. “Let’s just go, it’s not worth arguing about.” “It’s not an argument, it’s artistic debate. Everyone has a right to express an opinion, although the more I look at it, it really doesn’t seem to be a painting does it? What do you think?” Even when I close my eyes, I can see them coming.

 

“She likes you. She never purrs unless she like you.”

“Cats always like you when you’re allergic to them. She sheds a great deal, doesn’t she?”

“It’s in the nature of a cat to shed. It’s hot outside.”

“Don’t you brush her?”

“Sometimes, but she doesn’t always like it.”

“Can I put her down now?”

 

They are all angry. They are shouting at each other. “How can it be a painting if it has no paint?” “You idiot, do you think the only element of a painting is paint? What about the creative process?” “So then if this is a painting, anyone who states they are an artist is an artist.” “No, art takes creativity.” “So then, it’s not a painting, but it is art.” “Then we’re all artists.” “No, but we could all be painters.” I am still considering the blank canvas.

 

“Would you mind keeping her off my lap?”

“But I thought you liked cats.”

“I do, but only when I want to like them.”

“She doesn’t want to get off your lap. Don’t push her, she might scratch you.”

“But I don’t want her on my lap. Couldn’t you get a dog?”

“No, I’m a cat person. Maybe if I offer her some food she’ll get off your lap.”

 

“Look, if he just painted it white, then it would still be white, it would have paint on it, and it would be a painting.” “But it wouldn’t be a work of art.” “But he would be an artist.” “I like it.” They all look at me. I take money out of my purse. I give it to the artist and take down the canvas. I wonder if it will look better in the living room or over the bed.

 

“Why should you have to offer her anything? She should simply get off my lap because she is an animal and I want her to.”

“But she does have a will.”

“And I have an allergy.”

“Isn’t an allergy also a function of will?”

“She really is purring. Does it really mean she likes me?”

“I think you’ve held her long enough.”

“No, it’s o.k., she’s happy on my lap.”

“Give me back my cat please.”

 

The painting is hanging over the bed. I want to enjoy it alone. In silence. I wonder what they are arguing about, now that I have the painting. I lie down on the bed. The room feels much more peaceful than I remember it feeling when I left. I think, it was a lot of money, but you really can’t pay enough for peace of mind. I fall asleep.

 

“Look, she’s my cat and I want her back now.”

“But she’s happy on my lap. Don’t pull her, she might scratch.”

“I’ll get some food, to entice her off your lap.”

“But I thought you were concerned with her will.”

“If she wants the food I offer to her, then it’s her will that she get off your lap.”

“I would think you would be concerned with the happiness of your cat.”

 

I am awakened by the artist and the group of people carrying books of poetry by Gertrude Stein. They seem happy to see the painting. “You see, I told you she would put it in the bedroom.” “But it would be better in the living room.” “A work of art is a personal experience.” “But it’s the responsibility of the owner of a work of art to share that art.” “What if the artist never shares it?” “Well, that’s different.” I try to go back to sleep.

 

“Look, just as I’m enjoying your cat, you want to take her back.”

“Please give me my cat.”

“But I’m trying to show you that I like your cat.”

“Please give me my cat.”

“I really believe your behavior to be irrational.”

“Please give me my cat.”

“But I like your cat and want to hold her.”

 

I hear a loud voice. “But we never decided if it was a painting or not.” Voices are raised. I consider the artist. I consider the painting. I consider the people with books of poetry by Gertrude Stein. I take a knife, rip the canvas from the frame, and stomp on it. The group is silent. Their eyes are hostile. “She destroyed a work of art.” “She destroyed a painting.” They look at me. “Do you realize a great work of art is an individual effort?” “That was a once in a lifetime piece.” “That can never be recreated.” “It was a blank canvas.” “It was a work of art.” “So a canvas can be replaced, but the work of art can’t?” I leave the room.

 

“Please give me my cat.”

“Are you jealous that the cat likes me?”

“GIVE ME THE DAMN CAT.”

“I never have liked your cat.”

The Copeland Cats

At one point my love of cats – and my very patient husband’s love of me – turned me into what some might call a crazy cat lady. (Although I honestly don’t think ten cats is that many, especially when most of them are outdoors.)

After spending years trying to write something “serious,” I decided to go back to what comes naturally, and wrote the very sing-songy poem below about the heyday of the “Copeland Cat” era. The photo above shows the nine outdoor cats having breakfast on the porch. Although most of the cats are gone now, I have fond memories of the sight of “all the cattails wavin’.”

 

THE COPELAND CATS

In the country, in Virginia, in a little place called Rockville,

Is a farm that gives a second chance to cats that got a raw deal.

Here the catnip grows in long straight rows; the farm’s called Copeland’s Haven.

Come and take a closer look – there’s something quite amazin’!

 

There are kitties at the Copeland’s over-running all the acres,

With their whisker-lickin’ groomin’ and their loud meowy-makers.

First is Idaho, then Leroy, next are Zed, Moe, Boo and Tina,

Then there’s Chingo, Honey, Rikki, and there’s also Grace and Xena.

 

All the kitties love the Copelands, in particular the Missus,

‘Cause she’s the Kitty Momma granting all their kitty wishes.

And although she is a human she’s an expert at the art

Of understanding feline feelings and respecting feline hearts.

 

So come and meet the Copeland cats, their antics are amusing,

(Just know that some may run away, while others may be snoozing).

But even so, come say hello – give in to cat seduction,

We’ll get you started on your way with this brief introduction.

 

Idaho’s an indoor cat; he’s pampered, sleek and happy,

He loves to eat his chicken bits and nap in Momma’s lappy.

On winter nights he stays inside and curls up by the fire,

In spring the open windows let him hear the birdie’s choir.

 

Leroy is the leader of the cats that live outside,

He’s a black tuxedo rascal with a lion’s royal pride.

He will be the first you’ll see, the one to give a greeting,

And Leroy is the first to give another cat a beating.

 

Zed is quite a scrapper with his dapper, long black coat,

He’s got a ton of cattitude and not much else of note.

He loves to run and climb the trees; he loves his kitty kibbles,

And when you’re busy petting him, he loves to give love nibbles.

 

Moe rhymes with “NO” – it’s apropos – the naughty little booger!

He’s also loving, cute and smart, and can be sweet as sugar.

He loves to chew on cardboard, eat the bills and tear up tissues,

Apparently this little guy is full of pulp-based issues.

 

With Boo it’s true you don’t see much, he tries not to be seen.

A solid black, big ‘fraidy cat, his birthday’s Halloween.

He slinks along behind the trees; he likes things nice and quiet.

And Boo’s the first to rush away should things become a riot.

 

Tina is the biggest cat and stately as a queen.

A calico with manners, she is never cross or mean.

She is fond of Chingo, and she finds his love inspiring,

Although his constant presence can occasionally be tiring.

 

Chingo is a tabby cat that sports a fat white tummy,

From thinking that most everything is absolutely yummy.

He’s in love with Tina, so much so it makes him loopy,

And when she is ignoring him, his tail gets sad and droopy.

 

Honey is the newest cat; he comes from who knows where,

He needs to learn to bathe and groom his honey colored hair.

He wants so badly to be loved, but runs away from petting,

You’ll always find the clumps of fur he leaves behind from shedding.

 

Rikki is a little man; he’s white with tabby patches,

He’s always mending from a scrape or one of many scratches.

Although he’s shy he’s quite a guy, he’s full of kitty charm;

The Momma’s constant worry is he’ll come to kitty harm.

 

Poor Grace is just a mental case and needs to get a clue.

She’s purring while you’re petting her, then bites before you’re through.

She has a way, like Puss in Boots, to look sad and appealing,

She could be sad, she could be mad – who knows what she is feeling!

 

Xena is a princess and our mighty warrior kitty.

She’s a pastel tortoiseshell, and just so itty-bitty.

She hunts for prey both night and day; you often see her stalking,

And when you hear her tiny voice, its daintiness is shocking.

 

That’s all the cats there are for now; the future is unwritten,

For if the Momma sees in need a kitten, she is smitten.

Come back to see the Copeland cats, they’re here at Copeland’s Haven,

You’ll recognize it by the sight of all the cat tails wavin’.